I truly Lament is a unique and remarkable compilation of 27 Holocaust stories. Each story explores different points of view, concepts and theses all corresponding to the Holocaust. The stories take the reader on a deep, psychological and profound emotional journey into the stark reality of what it was like to live, exist or to die in the inhumane conditions of the concentration camps run by the Nazis. In the opening chapters the stories deal mostly with the plight of Jews in concentration camps that have no choice to endure the cruel and unjustified punishments of the prison guards who would decide their own type of weapon as they saw fit. Many of the men were ordered to dig trenches for hours on end, often resulting in their death as the Nazi ideology behind this cruel task was to wear the men out to a point where they evolved into Muselmänner (the stage before the ovens). Existence in the camps was short, nasty and brutish without meaning. The Nazis kept the men alive upon the barest thread of existence, teased individuality out of them as they wanted the men to loath themselves to their last dying moment. Most vile of all the Nazis wanted the men to willingly go along with their own extermination.
Perhaps the most harrowing of all the stories is “Hummingbird” where a Holocaust survivor tells us his own unique story at the age of 82. Part of him wants to live, and a part of him doesn’t mind dying as his life was so consumed by his existence in the camps that he doesn’t know what it was like to grow up without those horrors. He is damaged in so many ways and feels his life is in transit as he was made to slog through one camp to another in his younger years. He concludes that he now wanders the earth as an old man in search of a planet and the only reason he survived the camps was that his body desired to go on long after his mind had given up.
Mathias B. Freese has created a powerful thought-provoking work of fiction that cleverly examines a number of diverse perspectives on the Holocaust through several different writing styles, ranging from gothic, Utopian, romantic and chimerical. Each and every story will no doubt leave the reader speechless as we follow the few survivors that managed to outlive the brutality and starvation imposed by the Nazis, only to find their lives are full of insecurities and there is no escape from the torment they once suffered. All of which leads me to close and agree that we will never be done with the Holocaust and this book is living proof of that and I fully agree with other reviewers that it should be mandatory reading for all.
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